![]() And there's even a version where they do ScreenX plus 4DX. So instead of going vertical, we go horizontal. So on the ScreenX version, you're gonna get an hour of live action side footage as well. I actually had cameras pointing out both sides. Usually on those films, they have to create them in CG and fill it out, or put colors or kind of blurred images. We also are releasing the film in a format called ScreenX, which is a three screen format where the walls of the theater become an image. "Because I had six cameras in the cockpits, I've got these side angles that we use occasionally, but don't use all the time. I'm going to see it in Screen X instead of IMAX because of this: RPX is nice to have at OTHER multiplexes where they don’t have an IMAX or some other premium format. Even if it’s only single comercial laser, I guarantee you the projector and screen size combined would absolutely kick the snot out of whatever they’re using at the RPX at Irvine, so the RPX is kinda pointless. The IMAX at Irvine is a ridiculously massive purpose built screen. You’d get a big(er) screen, “better” sound, and maybe better projection than the standard auditoriums at that multiplex. RPX is just a way for Regal to squeeze a bit more money out of you by offering a slightly better than standard experience. ![]() And the “laser” projectors they would use are marginally better than standard xneon projectors and are nothing like the quantum leap in quality like Dolby or IMAX’s lasers. Some have Atmos, some don’t, some have “laser” projection, some don’t, some have recliners, some don’t, a few of them have Buttkickers in the seats like Dolby does. And I’m willing to bet my life savings that none of them are as good as Dolby Cinema. RPX has no minimum set standard, it’s different at almost every location. RPX has been around at least 10+ years, longer than Dolby Cinema.
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